Daayra Solo Posters Out: Kareena Kapoor Khan and Prithviraj Sukumaran Clash as Intense DCP in Meghna Gulzar Gritty Thriller

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The makers of Daayra have officially unveiled individual character posters featuring Kareena Kapoor Khan and Prithviraj Sukumaran in raw, no nonsense police avatars. Directed by National Award winning filmmaker Meghna Gulzar (Talvar, Raazi, Sam Bahadur), the investigative crime thriller marks the first on screen collaboration between the Hindi and Malayalam cinema stalwarts.

Official promotional graphic of Meghna Gulzar crime drama Daayra starring Kareena Kapoor Khan and Prithviraj Sukumaran.

Visual Breakdown: Character First Looks

  • Kareena Kapoor Khan as DCP Ajooni Kohli: Pictured in uniform against a backdrop of moving heavy trucks and yellow crime scene tape, Ajooni is framed as a fiercely righteous, sharp investigator who cuts through complex cases with grounded authority.
  • Prithviraj Sukumaran as DCP Raman Kumar: Set in an open field surrounded by a high stakes media press conference, Raman projects a quiet, calculated intensity, representing a cop carrying deep emotional tension and caged rage.
Prithviraj Sukumaran as DCP Raman Kumar facing press mics in the solo first look poster of Meghna Gulzar investigative thriller Daayra.

Daayra Movie Overview

MovieDaayra
DirectorMeghna Gulzar
Lead CastKareena Kapoor Khan, Prithviraj Sukumaran
Screenplay & StoryYash Keswani, Sima Agarwal, Meghna Gulzar
ProducersVineet Jain (Junglee Pictures), Dr. Jayantilal Gada (Pen Studios)
Theatrical DistributionPen Marudhar
FormatNarrative Thriller (Songless soundtrack to preserve pacing)
Trailer LaunchAugust 31, 2026
Nationwide ReleaseSeptember 18, 2026

Core Plot & Director Vision

Inspired by multiple real life events across India, Daayra explores the delicate, often blurry boundary between law, administrative protocol, and real-world justice.

Meghna Gulzar noted that the film steps beyond simple black and white morality, examining the “grey spectrum” where two contrasting police officers navigate opposing methodologies on the same case. In line with the realistic tone, the film avoids conventional song and dance numbers, relying entirely on Saurabh Goswami cinematography and a tension building background score.

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